Sex, sequins and sopranos rule in Herheim’s fantastique interpretation

★★★★★

Currently playing at Copenhagen’s fabulous Opera House, director Stefan Herheim’s new production of ‘The Tales of Hoffman’ offers a fresh 21st century look at Jacques Offenbach’s famous opera, taking the fantastique factor, the genre of magical realism, to new extremes.

Three hours and four acts later, I can now say that I’ve witnessed an operatic soprano sing an orgasm. If you just emitted a small gasp, you’re not alone – sexuality was fluid, gender roles were obliterated, and drag make-up reigned supreme in the telling of the amorous misadventures of Hoffman, our stumbling, inebriated protagonist (played by talented tenor Zoltán Nyári).

Fill my glass, s’il vous plaît!
The drunken, lovesick poet Hoffman is coaxed by the Muse (a fourth wall-breaking, omniscient narrator of sorts played by Elisabeth Jansson) to recount the mournful but fantastical tales of the three great loves of his life. We then wildly travel through Hoffman’s tales to a kooky scientist’s workshop in Paris, a violin-maker’s shop in Munich and a Venetian bordello.

Act I sees Hoffman mistakenly fall in love with the beautiful Olympia, an automaton doll created by mad scientist Professor Spalanzani (with frazzled hair Einstein would have envied).

Soprano extraordinaire Sophia Brommer tackles Olympia’s famous ‘Les Oiseaux dans la Charmille’ aria with admirable ease – an even more impressive feat as she is clad in nothing but garters and a restrictive corset.

Dark, twisted fantasy
And then following Munich, Act III takes the audience on a dark diversion to Venice – located, as Herheim says, “between the banks of Eros and Thanatos, art, and reality”.

A fear-stricken Hoffman is rowed through a dim-lit, spooky and smoke-filled stage of coffins by a Grim Reaper gondolier (using what else but his thresh as an oar) as the hauntingly beautiful duet ‘Belle Nuit, O Nuit D’Amour’ echoes from the brothel above, sung by the Muse and Hoffman’s courtesan love Giulietta (Gisella Steele), both in dazzling silvery, sequined gowns.

In the melancholic epilogue we return back to our hopeless and pitiful protagonist, now hoping to drown all his sorrows in alcohol.

A masterclass in design
The production design was a triumph, as were the fantastically intricate costumes created by Esther Bialas.

These two elements combined to perfection every time the actors glittered and shone as they up and down the decadent set’s sky-high revolving staircase, which was sumptuously designed by Christof Hetzer.

So, maybe the fourth time’s the charm, eh Hoffman?

 




  • In conversation with Conrad Molden: The man behind the mic

    In conversation with Conrad Molden: The man behind the mic

    He’s tickled our funny bone with countless wisecracks and clever wordplay, and in the process, made Denmark feel a little more personable to many expats. An international import himself, funny man Conrad Molden has successfully carved out a niche for himself on the Danish stand-up scene, but it’s taken a solid 13 years, much trial and error, and heaps of Danglish

  • Here Comes The Sun…

    Here Comes The Sun…

    I escaped from Denmark this winter to the south of France, where I was convinced that the sunshine would inspire me to write this year’s Crazy Christmas comedy show.

  • Volunteer Night 2025: when volunteering rimes with integrating

    Volunteer Night 2025: when volunteering rimes with integrating

    On Wednesday, April 30, from 17:00 to 20:00, Studenterhuset will host Volunteer Night 2025, a free event organized by the organization International House Copenhagen, which goal is to ease the relocation process for newcomers in Denmark

  • The international who shaped Copenhagen

    The international who shaped Copenhagen

    Anna Maria Indrio is one of the most important architects in Denmark, having contributed to shaping Copenhagen into what it is today. Among her best-known projects are the extension of SMK and Arken, as well as the Natural History Museum and the Darwin Centre in London. She moved here 60 years ago, when “Copenhagen was gray and dormant. Predictions suggested it would become depopulated. But putting people at the center changed everything,” she said

  • Danish government passes amendment to increase citizenship fee by 50%

    Danish government passes amendment to increase citizenship fee by 50%

    Fees were raised to reflect processing costs and curb repeat applications, creating debate over whether the new charges erect barriers to political participation for internationals.

  • Internationals’ labour contributes 361 billion DKK to Denmark’s GDP, and it is growing strongly every year

    Internationals’ labour contributes 361 billion DKK to Denmark’s GDP, and it is growing strongly every year

    According to a report by the Danish Chamber of Commerce, internationals’ contribution is 12% of the country’s GDP. In 2023, it was 322 billion DKK, and in 2008, it was 136 billion DKK. “Internationals make a gigantic difference in our prosperity and welfare,” comments Morten Langager, the Director of Dansk Erhverv.

Connect Club is your gateway to a vibrant programme of events and an international community in Denmark.